Album reviews / Self-released
Fuck the Facts are everything a “Grind-Core” band is not suppose to be; dynamically versatile, melodic, and technically proficient.
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Album reviews / Self-released
With Indian Summer, Drezus mulled the courage to express the struggle of racial discrimination as a Native, but also managed to explain the struggle of humankind as a social recovery process of self-love and acceptance, family, and disregarding nay sayers.
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Album reviews / Self-released
Toronto-born singer/songwriter Cas Stonehouse independently wrote, recorded, and produced her debut EP Puppeteer.
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Album reviews / Self-released
Teethmark's sophomore release delivers their unique brand of sludge, hardcore punk, and stoner metal to Toronto’s eclectic metal scene.
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Album reviews / Self-released
After a three year break in-between releases, Godstopper return with their EP Children are our Future.
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Album reviews / Self-released
A staple in the Canadian Metal scene over the last fifteen years, and their brand of grindcore-meets-death metal has only gotten more potent with each subsequent release.
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Album reviews / Self-released
AurorA is a husband and wife duo from Montreal featuring Ariel Engle, and Andrew Whiteman (Broken Social Scene/Apostle of Hustle). The album is based on the avante-garde poetry of Alice Notley from her collection Between the Pines. While there were moments that I enjoyed, I found the album to be a little hit and miss.
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Album reviews / Self-released
For the better part of my teen years, I lurked Punknews.org and the Plan-It-X message boards from a basement in suburban Ontario.
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